Leigh Hunt's authorship of "A legend of Florence" (1840) — a drama inspired by the rich cultural, intellectual, and political climate of Italy — reflects, as Michael Eberle-Sinatra demonstrates in the final essay of the first section, not only a literary exchange between England and Italy, but argues that during the creation of his play, Hunt engaged in his own version of border crossing as he managed the transition between writing about and writing for the stage. A complex maneuver that required Hunt to rech beyond his own intellectual boundaries, the shift from critic to dramatist challenged and enriched his thoughts regarding the work of the theater
Leigh Hunt was a frequent playgoer and esteemed critic of the London stage. Although he deplored the...
Samuel Johnson and Leigh Hunt, as generally representative spokesmen of the Eighteenth Century and t...
Performed October 19, 1965. Cast:He: Andy SaundersShe: Julie Huddlestonhttps://scholarworks.harding....
Leigh Hunt's authorship of "A legend of Florence" (1840) — a drama inspired by the rich cultural, in...
That study attempted to elaborate the problematic of [Leigh Hunt's] position within the London liter...
1816 was arguably the most significant year in Leigh Hunt's career as a Romantic poet. After a two-y...
In composing Romeo and Juliet, Shakespeare did not have to invent its basic story, because it was c...
Il saggio affronta sia il teatro italiano che la teatralità della cultura quotidiana italiana, come ...
The years 1801 to 1808 saw the emergence of Leigh Hunt as a public figure on the London literary sce...
In this article, I consider Leigh Hunt’s writing about Italy and Italian people, culture and literat...
Harriet Smithson began her theatrical career as a mediocre Irish actress seeking success in England....
In composing Romeo and Juliet, Shakespeare did not have to invent its basic story, because it was co...
<p><span style="font-family: Times New Roman;"><span style="font-size: medium;">Romantic approach to...
‘In dramatising a novel, there are many advantages but many difficulties’, notes Bram Stoker, the th...
Critical overview of Hunt's output as a journalist in the context of the exploration of global liter...
Leigh Hunt was a frequent playgoer and esteemed critic of the London stage. Although he deplored the...
Samuel Johnson and Leigh Hunt, as generally representative spokesmen of the Eighteenth Century and t...
Performed October 19, 1965. Cast:He: Andy SaundersShe: Julie Huddlestonhttps://scholarworks.harding....
Leigh Hunt's authorship of "A legend of Florence" (1840) — a drama inspired by the rich cultural, in...
That study attempted to elaborate the problematic of [Leigh Hunt's] position within the London liter...
1816 was arguably the most significant year in Leigh Hunt's career as a Romantic poet. After a two-y...
In composing Romeo and Juliet, Shakespeare did not have to invent its basic story, because it was c...
Il saggio affronta sia il teatro italiano che la teatralità della cultura quotidiana italiana, come ...
The years 1801 to 1808 saw the emergence of Leigh Hunt as a public figure on the London literary sce...
In this article, I consider Leigh Hunt’s writing about Italy and Italian people, culture and literat...
Harriet Smithson began her theatrical career as a mediocre Irish actress seeking success in England....
In composing Romeo and Juliet, Shakespeare did not have to invent its basic story, because it was co...
<p><span style="font-family: Times New Roman;"><span style="font-size: medium;">Romantic approach to...
‘In dramatising a novel, there are many advantages but many difficulties’, notes Bram Stoker, the th...
Critical overview of Hunt's output as a journalist in the context of the exploration of global liter...
Leigh Hunt was a frequent playgoer and esteemed critic of the London stage. Although he deplored the...
Samuel Johnson and Leigh Hunt, as generally representative spokesmen of the Eighteenth Century and t...
Performed October 19, 1965. Cast:He: Andy SaundersShe: Julie Huddlestonhttps://scholarworks.harding....